Ilhana’s Coven of Crafty Cats! (explanation below)

I had envisioned a somewhat lengthy post on my old/new artistic activities, but whatever length of time I find now to put it down in writing, it’ll have to do (been wanting to write about this for months now)!

In short, I have returned to some of my childhood hobbies, in an increasingly stronger desire to lead a more analogue life. A day well lived is for me more and more one filled with authentic creativity, away from the screens and other digital whatnots. And so, even though I have maintained my knitting skills throughout the years (a scarf here, a scarf there), it was not until last year that I fully committed to not just wearable creations, but little knitties that bring joy and beauty. The more the design felt detailed and challenging, the more it became like a game to figure out how to actually create the thing I had in mind. Be it a knitted apple or a bat, a knitted decorative sign or a cat made to resemble a real-life feline, the creative process brought me immense joy, my hands feeling grateful for the soft, tactile usefulness I was giving them.

One of the highlights in this surge of creativity has certainly been my first exposition in France, which took place in February-March of this year at the BosKop gallery in Lyon. My creation “The Soft Otherness” was selected among other creations for a special exposition called “Xénomorphe” – to great success!

The portraits of animal companions also have their beginnings in my childhood. I remember sitting underneath the kitchen table and painting our cats and parakeets as some of the purest happy memories in my mind (sadly, back then we weren’t aware of the suffering of parakeets in unnatural environment such as people’s houses, even though we let them fly around our house). A few years back I wanted to paint a portrait of a dear friend’s dog, and after that I continued with our own rescue cats. Pretty soon, my friends started contacting me to immortalize their feline loves as well, so it’s been another type of wonderful challenge to try to capture a little bit of their specific essences and energies in a painting.

Of course, the brushes are all synthetic, and I also knit with only synthetic yarn fibers, some of whom are second-hand (the fillings of the Knittie Kitties are also synthetic), as it would be unjust to use wool and other things we steal from our fellow Earthlings. Anyways, I’ve assembled a small gallery below of my creations so far, while the title above is the name of my little artistic endeavour. Enjoy!

2024 Recap: What a year!

It‘s an almost impossible task to summarize the past year in just a few lines, but I feel that I should at least emphasize the challenging but stellar work I‘ve done in the academia:
– presented at three conferences in France (one on Giger and another one on Lovecraft, no less!)
– researched intriguing representations of multimodal figurativity in John Carpenter‘s “In the Mouth of Madness“ and Drew Goddard‘s “The Cabin in the Woods“
– prepared a couple of articles for peer review/publication
– became a member of AFLiCo – French Association for Cognitive Lingustics
– last but not least, acquired new acquaintances among fellow researchers

I‘ve also caught up with professor Zoltán Kövecses, who was a plenary speaker at the conference here in Lyon, and years ago one of my professors during the PhD studies in Croatia. Indulging in passionate conversations about genre movies and dark art with esteemed colleagues such as professors Gilles Menegaldo (who invited me to present at the incredible “H.P. Lovecraft and the Sciences“ conference in Poitiers), and Christopher Robinson has been nothing short of spectacular, and an especially lovely addition to these amazing encounters has been Kathy Lenze, an artist and animal rights activist who was simply like a breath of fresh air and I’m truly hoping our paths cross again soon. With new prospects on the horizons, I‘ve finished the year extremely grateful and inspired, all in the serenity of my home.

One of the other highlights has been traveling with my mom to Paris (hours spent at the Louvre, sightseeing and eating delicious vegan food!), with my husband to Amsterdam (what a lovely weekend getaway that was!), and with my best friend to the Weekend of Hell convention in Germany (see below). Animal rights activism deserves a bunch of special posts, but for now I‘ll say that this year I‘ve also been organizing/coorganizing a lot of events and actions and have come to an even deeper understanding of the speciesist bonds that tie and hide the need for animal liberation, and how to make this need truly apparent in our society. As with each year that passes, I hope for health of my loved ones and myself, serenity and success in all fields. And of course, that we get closer to a vegan world in which all animals are safe! God willing!

WHY FRANCE IS THE WORST EUROPEAN COUNTRY FOR ANIMAL RIGHTS

For non-human animals, all countries are bad. All „humans“ who are not vegan condone and pay for animal abuse in all the gruesome forms it exists. From meat and dairy, eggs, to leather, fur, torture for entertainment, and experimentation on animals – it is all built on a mountain of suffering, mutilation and murder.

The title, therefore, does not mean that other countries on the European continent are a safe haven for the innocent victims of human hate and desire for domination. Far from it. Yet, most other countries take strides towards the evolution of empathy, and towards a ban of the most egregious torture practices, however slow the evolution is. Germany is at the forefront of vegan food and raising awareness on the Animal Holocaust (and Berlin was just voted No. 2 on the Top 10 Vegan Cities list by HappyCow). The UK even more. Switzerland, France‘s neighbor, even had a referendum to ban factory farming! It wasn‘t banned (sadly), but more than 30% of residents voiced their opposition, and I have no doubt they will get there soon. Hell, even Bosnia and Herzegovina (my country of origin) recently witnessed its first ever vegan festival, organized in the capital city by VivaBiH, the national Vegan Association.

So, why exactly is France the worst? Surely there has been some progress here, as well?

The short answer is: no. No, there hasn‘t. Sure, it has some vegan options. Sure, there are associations raising awareness on the plight of non-human animals. But when taking into account the place of France in the grand scheme of Europe, its constant urge to become leaders on this continent in all aspects of life, including the evolution of the human thought („We are the birthplace of modern democracy!“), its representatives and the actual level of evolution are pathetic.

The core of the „French identity“ is founded on the suffering of our fellow Eathlings so much that people here take pride in the cruelty and torture they inflict upon them. Take for example foie gras: while it is illegal in several developed countries in the world, and even King Charles recently banned it from the British Royal Court, naming it “torture in a tin”, here it is celebrated and adored. People mock others who do not enjoy in an effort to portray them as simple peasants of poor palate. Let me remind my readers that this awful „delicacy“ is made by force feeding ducks and geese multiple times a day so that their liver gets sick (hepatic steatosis), after which it is eaten as a whole or ground up. The birds are confined in crates so small they cannot move. The workers shove long metal tubes down their throats, which also causes organ failure, injuries to the birds‘ beaks and throats, pneumonia. Moreover, Animal Equality notes that „the wire cages can cause foot and leg injuries, and the intense confinement is mental misery for these normally curious and sensitive animals.“ Of course, at the end of this unimaginable torture (think the „Gluttony“ murder from the movie Se7en, lasting for weeks), the poor birds are violently slaughtered. All that is foie gras.

The French have made their whole identity on cruelty and torture. The more cruel the practice, the better it is for the „food“ they consume, and the „entertainment“ they watch. Who cares if bullfighting originated in Spain! They gleefully stole the practice of killing innocent animals for barbaric thrills and made it their own. Empathy is considered weak and unaristocratic, and if there‘s one thing the French desperately want to be, it‘s the aristocracy of Europe and the world. Being cruel is being sophisticated. Inventing torturous devices is being more intelligent than others who are „beneath“ them. And after literally decades of waiting for the bill to ban bullfight to arrive at the French Parliament, yesterday it was pulled from the debate. The pro-torture representatives sent over 500 ridiculous amendments to stop the ban, even though the majority of regular French citizens (77%) oppose bullfights. A stolen torture masked as the foundation of tradition and identity is defended yet again. The Dark Ages are alive and well here, and the inquisition of animals is endless.

That, ladies and gentlemen, is France. The worst European country for animal rights bar none, because it forcefully wants to superimpose the notion of nobility and culture unto hateful dominion, unto pain and unto unimaginable suffering. A country of despicable acts, of atrocious parliamentarian games, of identity smeared with blood of the innocents. A shameful land, a disgraceful identity. No culture.

I am ashamed and enraged to be here. But in the word of Banksy, „From this moment, despair ends, and tactics begin.“ With my activism, and along other activists, I will do everything in my power to usher this country into true Renaissance, one founded on empathy and liberation of all victims, regardless of the species. As Aymeric Caron, the representative who proposed the bullfight ban bill, said yesterday: „What’s just happened today, isn’t an end… but it’s just a start.“

/Image courtesy of: Animal Equality; Lisa Markkula / Peta France/